Banksy and the Problem With Sarcastic Art – The New York Times

The entrance of Banksy’s “Dismaland” in Weston-super-Mare, England. Credit Matthew Horwood/Getty Images The day Banksy unveiled “Dismaland” — a sprawling exhibition of conceptual art that is itself a concept, with mock security guards and mouse-eared employees instructed to frown instead of smile — its ticketing website was so overwhelmed it crashed. Hours before the opening…

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The New York Times sells out artists: Shallow data paints a too-rosy picture of “thriving” creative class in the digital age – Salon.com

Musicians, writers, and other creative folk are still scratching their heads over the cover story in Sunday’s New York Times Magazine: “The New Making It” — packaged online as “The Creative Apocalypse That Wasn’t” — looked at how the Internet economy, instead of destroying creative careers, had redrawn them in “complicated and unexpected ways.” The story’s…

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The Creative Apocalypse That Wasn’t – The New York Times

On July 11, 2000, in one of the more unlikely moments in the history of the Senate Judiciary Committee, Senator Orrin Hatch handed the microphone to Metallica’s drummer, Lars Ulrich, to hear his thoughts on art in the age of digital reproduction. Ulrich’s primary concern was a new online service called Napster, which had debuted…

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How to make your own

How to make your own ‘Dead Drops’ is open for participation! Your are free to go for your own Dead Drop! If you want to install a Dead Drop in your city/neighborhood please follow ‘how to’ instruction below and submit the location and pictures when you are done in the form at the bottom of…

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