The Messiness of Reproduction and the Dishonesty of Anti-Abortion Propaganda | The New Yorker

In this spring’s Christian niche-sensation movie “Unplanned,” which was released at the end of March, the actress Ashley Bratcher plays Abby Johnson, the former Planned Parenthood clinic director from Texas who became an anti-abortion activist. (The movie is based on Johnson’s memoir of the same name.) “Unplanned” had a budget of six million dollars and…

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Angry Birds, Candy Crush, and a history of mobile game data collection – Vox

  Angry Birds is so 2009, you might say. “I haven’t played Angry Birds since 2012, at the latest,” you might insist. It doesn’t matter. Angry Birds is still part of your life. As the first wildly successful mobile game, it’s an avatar for the way our understanding of what’s private and what’s personal has…

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AirPods Are a Tragedy

AirPods are a product of the past. They’re plastic, made of some combination of carbon, hydrogen, oxygen, nitrogen, chlorine, and sulfur. They’re tungsten, tin, tantalum, lithium, and cobalt. The particles that make up these elements were created 13.8 billion years ago, during the Big Bang. Humans extract these elements from the earth, heat them, refine…

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Are Your Commie Children Right?

xA specter is haunting the straight white liberal sixtysomething American dad—the specter of his damn socialist kids. A generation that grew up eating Cold War propaganda with their cornflakes confronts one in which socialism regularly outpolls capitalism, and it’s happening across the breakfast table. New Yorker writer Adam Gopnik’s new book, A Thousand Small Sanities:…

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No, Section 230 Does Not Require Platforms to Be “Neutral” | Electronic Frontier Foundation

One jaw-dropping moment during the Senate’s hearing on Tuesday came when Sen. Ted Cruz asked Facebook CEO Mark Zuckerberg, “Does Facebook consider itself a neutral public forum?” Unsatisfied by Zuckerberg’s response that Facebook is a “platform for all ideas,” Sen. Cruz continued, “Are you a First Amendment speaker expressing your views, or are you a…

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Game of Thrones: The Night King deserves better.

Let’s start with the good: For most of its 82 minutes, Game of Thrones’ “The Long Night” was a tense, well-modulated, and gorgeously scored poem to apocalyptic terror. Unlike “Battle of the Bastards,” which repeatedly offered stunning bird’s-eye perspectives of military formations before zooming in to the chaos as it was experienced on the ground, director Miguel Sapochnik…

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